Tag Archives: ira glass

This week in great sentences

Themes this week: Art and influence

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Imitation is the sincerest form of show business.
-Roseanne Barr, “And I should know,” NY Magazine, 5/15

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Think about NOT waiting your turn. Instead, think about getting together with friends that you admire, or envy. Think about entrepeneuring. Think about NOT waiting for a company to call you up. Think about not giving your heart to a bunch of adults you don’t know. Think about horizontal loyalty. Think about turning to people you already know, who are your friends, or friends of their friends and making something that makes sense to you together, that is as beautiful or as true as you can make it. … You will build a body of work, but you will also build a body of affection, with the people you’ve helped who’ve helped you back.
-Radiolab host Robert Krulwich, commencement speech to Berkeley Journalism School’s Class of 2011, 5/7. Continue reading

At long-form J panel, hunger is the only future

David Remnick and Ira Glass at the New School

What was supposed to be a discussion of the role of long-form journalism in the world of Twitter and Tumblr turned more into a wistful and vibrant defense of “elitism” in media. Throughout the entire two hour panel at the New School featuring an all-star panel of long form journalists — David Remnick, Ira Glass, Raney Aronson-Rath of Frontline and Stephen Engelberg of ProPublica and Alison Stewart (formerly of MTV News!), the host — the word “Twitter” was only mentioned but twice, while the discussion of the demographics of the audience for long-form journalism received loads of attention.

Among the more interesting revelations made during the Longform Storytelling in a Short-Attention-Span World panel organized by ProPublica on Wednesday, was the sheer amount of excess necessary to pursue in-depth journalism.

Ira Glass, host of This American Life (and an increasingly incisive media critic in his own right), said that half the interviews he conducts never make it on the air. Even when the first 48 episodes of the show were in production years ago, the $240,000 budget still allowed enough wiggle room to spike interviews, Glass said. Continue reading